As a practice, I find curiosity about language to be very helpful, opening new pathways of understanding and orienting to what might often be unseen or unheard in the words we use. Sometimes this practice takes form through an exploration of etymologies, tracing the roots of words, the journey these collections of letters and syllables have taken through time. Sometimes this practice takes form through an exploration of metaphor, a consideration of the imagery that words evoke. I am fascinated by the possibilities that language holds to reinforce dominant narratives and paradigms, and conversely to reimagine and redefine wor[l]ds.
Through my engagement in peacebuilding, I have increasingly found myself caught up by the very term that defines the field. In many ways it is helpful, emphasizing the action of construction – building relationships across all levels and in all sectors of society that facilitate greater peace in both the absence of direct violence (negative peace) and the presence of attitudes, institutions, and structures that uphold and sustain a just and peaceful society (positive peace).
And yet in the dominant metaphors that arise in relationship to the term ‘building,’ I take pause. I have heard peacebuilding imagined as ‘building the house of peace.’ Perhaps it is a limitation of my imagination, or my cultural influences that impose a linear and regulated process of such a construction. There are aspects of this process that are immensely relevant and arguably necessary for peacebuilding, including: attentiveness to preparation, establishing a strong foundation, developing proper scaffolding, including ‘weather proofing’ elements to support the sustainability of the structure, and balancing the distribution of energy patterns.1
At the same time, in my exposure to construction (at least from my cultural context), there are also aspects that are present in the field of peacebuilding that are less helpful, potentially detrimental. For example, the imposition of unrealistic timelines that may or may not account for delays in the accessibility or availability of certain resources or changes in context that create such delays, the expectation that the final structure will perfectly match the blueprint, the time bound nature and externalization of the task of construction.
Acknowledging both the possibilities and limitations of this metaphor, I became curious of how different imagery could offer new layers of understanding and orientations to practice.2 In particular, what is offered if peacebuilding is imagined akin to building a sandcastle?
Shores, Tides, and Time
While sandcastles can be built anywhere both sand and water are accessible, they are often built at the edge of a body of water. They are situated in the in-between space, the liminal place of encounter between land and water. In this space, waves lap the shore, tides ebb and flow, water saturates the sand. It is a place where binaries are obsolete – there is no static or concrete delineation of where the land ends and the water begins.
Where peacebuilding takes form, while social, political, and cultural divisions may characterize the dominant landscape (just as from afar one might say, there is the land and there is the water), the historical and lived realities are infinitely ambiguous and complex. And in fact, it is through the embrace of this ambiguity, the transcendence of binaries, that peacebuilding is possible.
The water’s edge is characterized by a constant ebb and flow of waves and tides, which move in cycles. Waves crash and retreat much faster, in the course of seconds, whereas tides rise and fall over the course of a lunar day. In some moments, waves crash with immense power and in other moments waves lap gently against the shore. In this context, the placement of a sandcastle is vital as these cycles pose differing levels of risk for its destruction.
This movement and risk parallel the rhythms of cycles of violence as they threaten efforts to build peace. In acute, hot conflict, sometimes direct violence rages and other times there is a semblance of pause, though the risk remains ever-present. On a longer timeline, conflicts ebb and flow generationally, in constant transformation over time. Thus, efforts to craft peace are constantly confronted with the presence and possibility of violence. In this context, an important question that emerges is: How do we cultivate and practice discernment in the planning and strategy of peacebuilding that holds in awareness the rhythms and predictabilities of cycles of violence?
Bridging Grains
Building sandcastles is possible as a result of surface tension – the force of attraction between water molecules. In the mix of sand and water, water molecules forms liquid ‘bridges’ between the grains of sand.3 These liquid bridges enable the structure to take form. It is important to have the right balance of water and sand, otherwise the structure will not hold. This balance may need to be actively supported, adding more water as the sand dries out. Further, to maximize the strength of the liquid bridges that hold the structure each grain must be coated with water.4 Within these dynamics, there are a number of key insights for peacebuilding practice.
The role of bridging and the centrality of relationship are immensely important aspects of peacebuilding. Durable change happens slowly, over time, and through the cultivation of relationships that traverse social, political, economic, and religious divides. Structural and societal transformation cannot take place without the existence of bridges embodied in people and processes at the granular level.
In a shift from the theory of ripeness in processes of change – the idea that change unfolds only when the circumstances or conflict has matured sufficiently – John Paul Lederach has suggested a theory of rightness. When the right people come together at the right place at the right time, new possibilities can emerge. This is encapsulated through Lederach’s metaphor of the critical yeast. Adding to the role of a critical mass in bringing about large-scale social change, Lederach notes that it is not only in the quantity of people involved, but “rather in creating the quality of the platform that makes exponential growth strong and possible, and then in finding ways to sustain that platform.”5 Transformation is thus facilitated through bringing together the right balance of elements (people, context, timing, etc.), and sustaining those elements over time.
Lastly, for peacebuilding efforts to be relevant and sustainable, they must be as participatory and accessible as possible. While reaching each person in society may not be realistic, the effectiveness and strength of change efforts is bolstered when more people in society feel they have voice and agency relative to their own lives and the future of their community.
Containers, Relationships, and Systems
Sandcastles are built by virtue of containers. Pails, hands, shovels, or shells are filled with wet sand. The sand, bound by liquid bridges, takes the shape of the container it fills. Then the sand is deposited onto the growing structure. It is through the fitting and scaffolding of these differently or perhaps similarly molded constellations of sand together that the sandcastle is formed. To ensure there is not excess water mixed with the sand, it is helpful for the containers to be permeable, with holes at the bottom to let excess water drain out. If approached strategically, the drained water can serve to dampen the next patch of sand that will be shaped.
In Lederach and Lederach’s exploration of sonic metaphors for reconciliation and social healing, they consider the metaphor of a container in particular reference to that of a Tibetan singing bowl. They suggest “social healing and reconciliation emerge in and around the container that holds collective processes, inclusive of but significantly more than the individual’s particular journey.”6 From a systemic perspective, it is helpful to consider peacebuilding and social change as it emerges from a constellation of containers. For example, there may be collective processes focusing on humanitarian response, another on access to education, another on legal advocacy, and another on trauma healing, just to name a few. Peace and justice are best created and pursued through the harmonizing of these approaches so that they can be mutually supportive.
In this orientation toward mutual support, it is important to acknowledge the unique contributions a given approach to social change offers and at the same to notice and nurture the ways in which these approaches are connected. This relationship may be one of sequentiality, whereby certain conditions must be obtained for other efforts to be undertaken. This relationship may also be one of simultaneity, whereby different efforts toward change are supported alongside one another. Remembering and attending to these dynamics of relationship is critical to systemic change, inviting a strategic approach to how given efforts can prepare conditions for future change and how concurrent processes are themselves permeable, each impacting the other.
Temporality and Sustainability
While sandcastles may often be associated with temporality – washed away by the waves and the wind – this dissolution primarily occurs because they cease to be tended. Without the addition of water to reinforce the bridges between grains of sand, these bridges may dry and disappear. When wind blows or a large wave comes, without a consistent presence to attend to and repair the impact, the damage risks compromising the entire structure. Sometimes the forces are too strong and the sandcastle in its existing form is destroyed. However, all of the elements remain to build anew, integrating the experience and learnings from the previous iteration to construct a stronger and more sustainable structure.
Peacebuilding endeavors occur in volatile and unpredictable contexts whereby threats to process are ever-present. The momentum of multiple currents of violence is powerful and strong, posing risk to the durability of such efforts. While funding and programmatic cycles are often short term with a focus on immediate impact, it is important to consider the long-term sustainability of peace. How are peacebuilding efforts sustained? By who? And how are those who are active in sustaining the peace themselves supported for this life long and generational practice?
At times, peacebuilding efforts may crumble, however that does not make the efforts futile. To begin again, despite the difficulty and despite the risks, is an embodiment of active hope, a commitment to the conviction that a different way of being together is possible. With each new beginning, different possibilities may be opened as learnings from previous experience are integrated and the craft of building peace is refined.
Dig Deep, Not Wide
There are multiple ways in which to prepare sand and water to build a sandcastle. It is possible to move back and forth, into and out of the water to collect water to dampen the sand. It is also possible to dig a self-replenishing water hole. The key in this approach is to dig deep to reach the water laden sand below. With the intention and motion of digging deep, inevitable the hole will widen.
Focusing here on both the preparation and sustenance of practice and the practitioner, there are two key considerations that arise from this image of valuing depth over breadth. Firstly, for practice, how is peacebuilding approached in such a way that the envisioned change is deep enough to be self-sustaining, rather than fleeting and surface level? Further, how are the place-based resources to create and sustain transformation accessed and uplifted, rather than relying on external sources? Secondly, for practitioners, how are we, as people involved in peacebuilding, supported to dig into our own depths to access our own sources of nourishment and replenishment?
Pause in the Messiness
Building sandcastles is messy. Immersed in the elements, it is inevitable that one becomes covered in wet sand and is hit by a wave or more in the process. Sometimes it is necessary to pause, brush or rinse oneself off as the discomfort of the sand may impact not only the process of building the sandcastle, but also the experience of it.
For peacebuilding practitioners, both people working in their home context and people engaged internationally, the context and nature of the field cannot but adhere and begin to impact at the level of practice and individual wellbeing. This may manifest as direct or vicarious experiences of trauma, burnout, or compassion fatigue, as just a few of many possible experiences of dis-ease common amongst practitioners. To the extent possible, it is important to integrate opportunities for pause, reflection, and respite – to take distance from the intensity of the work so as to be able to return and continue with greater clarity and resourcing.
Embrace Slow Work
Building sandcastles requires a slow approach. It may take time to come to the right balance of water and sand to best support the integrity of the bonds between the grains and thus the strength of the structure. Once containers are filled with damp sand, they must be placed and lifted away with care. Moving too quickly the molded sand risks collapsing. A slow and steady hand is important to accompany the cohesion and stability of the sandy arrangement.
Though the volatile conflict environments in which peacebuilding unfolds are often highly dynamic and characterized but numerous urgent competing demands, the work of social transformation unfolds slowly, over decades and generations. As Bayo Akomolafe has said, “the time is very urgent – we must slow down.”7 There are moments in which responding to the urgency of a conflict situation is necessary. At the same time, it is important not to succumb to the pull of urgency, which can so easily engulf people and processes, causing great harm through, for example, burn out and unwise decisionmaking. Choosing to slow down, to move with intention, to prioritize relationship is countercultural, the choice itself an act of resistance to the dominant culture of urgency and productivity. This choice is an embodiment of care, for self and for others, and therein an embodiment of a way of being supportive of a more peaceful and just world.
Play
The process of building a sandcastle is inherently playful and creative. Often an activity children and adults delight in when at the beach, it can also be experienced as a honed craft and artform. Sandcastles invite and encourage play and imagination, creativity and expression.8
Play and imagination are highly underappreciated experiences and facets of peacebuilding. As a relatively new field that in some ways is still trying to establish itself on a global scale, peacebuilding has prioritized procedures over playfulness, data over delight. This is not to say that process, evaluation, and technicalities are not important. Rather, it is to acknowledge that play, creativity, and imagination are critical components and pathways to worldbuilding.
It is said that a challenge will not be surmounted through the same mindset that created it. Violence, conflict, and injustice are incredibly serious challenges, which we cannot serious our way out of. From the perspective of trauma, in experiences of acute trauma at the individual level, the capacity to access play and imagination are compromised. Creating opportunities for trauma impacted individuals to explore, regain, or perhaps experience authentic, unthreatened play for the first time is an important part of the healing journey.
There is much to be gained by not only integrating, but centering more opportunities for play and imagination in our peacebuilding efforts. The possibilities this holds for healing and transformation, from the individual to the collective, are immense.
Concluding Thoughts
There is no perfect metaphor, each analogy only offering some different ways of illustrating and understanding a given experience or thing. Guided by a curiosity around the imagery in the question: what peacebuilding is building?, the metaphor of a sandcastle suggests and centers different elements of process and practice than tend to dominate the field, which I find quite helpful. I hope this curiosity and exploration may be helpful, if not in the insights it brings forward, then in the approach, perhaps inspiring new imagery and thus possibilities in our work toward a world that is more peaceful, just, and dignified for all.
References
1 Lederach, John Paul. “Beyond Violence: Building Sustainable Peace.” Belfast, Northern Ireland: Northern Ireland Community Relations Council, 1994.
2 The inspiration for such an exploration is from Angie and John Paul Lederach, who together wrote an entire book exploring sonic metaphors in relationship with peacebuilding, reconciliation, and healing. Lederach, John Paul, and Angela Jill Lederach. When Blood and Bones Cry Out: Journeys Through the Soundscape of Healing and Reconciliation. Santa Lucia, Queensland: University of Queensland Press, 2010. https://www.uqp.com.au/books/when-blood-and-bones-cry-out-journeys-through-the-soundscape-of-healing-and-reconciliation.
3 Lucinda Wierenga, “How to Build the Perfect Sandcastle,” The Guardian (Guardian News and Media, July 31, 2009), https://www.theguardian.com/lifeandstyle/2009/aug/01/how-to-build-perfect-sandcastle.
4 Lara, “The Science behind: Sandcastle Building,” KiwiCo, August 27, 2019, https://www.kiwico.com/blog/the-science-behind/the-science-behind-sandcastle-building.
5 John Paul Lederach. The Moral Imagination: The Art and Soul of Building Peace (New York, New York: Oxford University Press, 2005), 93.
6 John Paul Lederach and Angie Lederach, When Blood and Bones Cry Out: Journeys Through the Soundscape of Healing and Reconciliation (New York, New York: Oxford University Press, 2010), 103.
7 Báyò Akómoláfé, “The Times Are Urgent: Let’s Slow down,” Báyò Akómoláfé, https://www.bayoakomolafe.net/post/the-times-are-urgent-lets-slow-down.
8 In this reflection, I acknowledge and give gratitude to Paul Hutchinson, who has encouraged and nurtured an imaginative and creative approach to social change. As one example, he guided a session exploring peace as an island, rife with metaphors and an incitement to imagining new ways of being and doing, with particular grounding in the context of the island of Ireland.
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